Title: The Troop
Author: Nick Cutter
Publisher: Gallery Books (Simon & Schuster)
Rating: 3 out of 5
Note: I was given an advanced review copy of this book by the publisher.
Imagine the savage survivalism of Lord of the Flies merged with the creeping bio-engineered dread of The Stand. Mix in the five personality archetypes of The Breakfast Club (albeit a boys-only version) and you get Nick Cutter’s (aka Craig Davidson’s) new horror novel The Troop – with all of the positives and negatives that implies.
Scoutmaster Tim Rigg has taken his 5-member Boy Scout troop on a 3-day camping trip to Falstaff Island, a small island off the coast of PEI. There’s the jock, Kent Jenks, son of the local police chief; the wild child, Ephraim Elliott; the sensible everyman, Max Kirkwood; the creepy loner, Shelley Longpre; and finally the nerd, Newt Thornton, last in the pecking order. Scoutmaster Tim, who is the town doctor back home, has high hopes for 3 days of hiking, learning, and otherwise hearty outdoor activity.
But there’s another person coming to the island. A man who carries inside him a genetically-engineered horror the likes of which the world is unprepared for. And he’s hungry – so very hungry.
So, let’s get the literary clone-work out of the way. Like many people, I had to read Lord of the Flies in high school, and absolutely hated it. My opinion as a teenager was that the whole descending-into-savagery thing would probably have been completely avoided if there were at least one female in the whole group. Growing up and learning about what occupies the minds of teenaged boys, I have to amend that opinion somewhat – but my absolute dislike of that book has not lessened. (And if you’re wondering, I couldn’t stand Catcher in the Rye that much either.)
At first, I was nervous that The Troop would travel down that same everyone-turns-into-animals-because-Man-is-the-real-monster path. This was especially worrisome in the first half of the book, since the author tries so hard to establish the meanness and social hierarchy of the boys. With the exception of Newt, the requisite fat nerd, the rest of them are cardboard cutouts: Kent is a bully, Ephraim is supposedly angry (I say “supposedly” because although we’re told an awful lot about how angry he is and how he always starts fights, he doesn’t actually act violently until he’s pushed), Max is friendly and average but resolute, and Shelley is your standard-issue sociopath-in-training.
However, once the true menace of the book is revealed, the characters display more psychological depth than I expected. There are some predictable turns here (especially regarding Shelley), but the addition of Tim, who believes he can help the sick man who’s wandered into their midst, adds a new dimension to the story. In Doctor/Scoutmaster Tim, not only do we see a man blinded by his own confidence in his abilities, but we also see the boys’ reaction to that blindness – and the lack of trust in the adult world that results.
Now that’s interesting.
Less interesting, but still helpful, are the interstitial pieces of text showing how the bio-engineered parasite came to be, and the political and cultural aftermath of the outbreak. They provide context and help the novel’s pacing, but I think they strip the real threat (a genetically-modified tapeworm meant to promote weight loss but secretly developed as a biological weapon) of some of its mystique. They do contribute to the novel’s ambiguous ending, however.
Other than that, the book contains some unusual and truly repulsive body horror. I have a pretty strong stomach, so when I say that, I mean it. I found it particularly hard to handle the scene where Ephraim cuts himself in order to remove the parasite from his body.
Overall, I thought this book was okay, but I wish more time had been spent on character development, especially in the rather creaky opening.
Up next: The Summer Prince by Alaya Dawn Johnson