Ad Astra wrapped up just a few days ago. Now that I’m fairly sure I haven’t gotten con crud, I’ll tell you all about it! Although I didn’t take part in any panels or do any readings, I had a blast. Here’s a breakdown:
There was a lot to choose from. I’ve learned from past conferences and conventions not to pack my schedule too tightly, but it was so hard to resist. I think I attended about 10 in all, most focusing on aspects of writing and editing fiction. Highlights include the three I attended where Anne Groell was a panelist, the “Mission Unfilmable” panel with James Bambury, and the “That Drives Me Crazy” panel with my good friend Andrew Barton. All in all, I was pretty satisfied with what I attended. I also live-tweeted a number of the panels with the #AdAstra2014 hashtag.
I only attended two readings this year. One was a regular reading, but the other one, well, that was something special. More of the (somewhat NSFW) specifics are available on Michael Matheson’s blog. But let’s just say that the combination of fan fiction, Star Wars, Pacific Rim, Shakespeare, and Harry Potter that was on display that night was a legend in the making. I really hope that a reading like that becomes an institution at Ad Astra and similar cons.
If there’s one thing that conventions are good for, it’s parties. My husband and I attended a few, most notably the Doctor Who tea party on Saturday afternoon, and the Bundoran Press launch party for Strange Bedfellows the same evening. We entered raffles, got pictures taken in front of a green screen where you could choose a digital background (I chose the classic Tardis interior and wore the 4th Doctor’s scarf), ate cookies, and had some tea (which was somewhat middling, unfortunately).
That night at the Bundoran launch party we got to hear several authors read, including Andrew Barton and Robin Riopelle. Riopelle’s reading, in particular, was amazing, which brings me to…
Books and other fun purchases
I bought lots of books at both WFC 2012 and last year’s Ad Astra. This year, not so much. In fact, I bought only 3 books! One of which was Robin Riopelle’s debut, Deadroads – her reading was so emotive and engaging that I couldn’t resist. Interestingly, this book is one of the first ones published by Night Shade Books after their incorporation into Skyhorse Publishing. It’s comforting to know that despite its financial issues, this press has continued publishing quality fiction.
Aside from that, I did make some random purchases, including this little guy knit out of yarn:
Make it so!
Let’s just say that the next time I have some Earl Grey, I won’t be doing so alone!
One last thing…
The masquerade was on Saturday evening at the same time as the Bundoran launch, so I didn’t get to see the amazing costumes in play. However, people wore costumes all weekend, so I am happy to present to you possibly the most awesome video I have ever filmed:
Yes, that is someone dressed up as Newt from Pacific Rim (with arm tattoos drawn on in Sharpie marker!) doing contact juggling a la Labyrinth. You’re welcome.
The 2012 World Fantasy Convention is over, and I feel deflated. I met so many people, and bought (And got for free!) so many books when I was there that I now feel like Cinderella after the ball – kind of ragged, slightly in disbelief that there was so much fun to be had, and sad that it passed by so quickly.
I think a full accounting of all 4 days will be too long to write, but I do want to provide summaries of certain aspects of attending, so here we go.
I only attended about half a dozen panels in all. Some of them were unmemorable or downright frustrating, but the two panels I attended on Sunday, one about maps in fantasy fiction and the other about the intersection between the real and the fantastic, were fabulous.
In particular, I was surprised by how forceful and eloquent a speaker Jo Walton was, and I think that I may need to reassess my opinion of her book Among Others. I was also impressed by Gregory A. Wilson, who gave an extremely cogent explanation on the difference between fantasy fiction and magical realism. I wish I could quote him verbatim here but, in essence, he said magical realism takes the fantastic at such face value that no one feels awe or wonder when encountering it. Because the fantastic is so accepted, it becomes normal, then boring – and he finds that this eventual acceptance and contempt makes magical realism the most depressing genre in speculative fiction.
My biggest regret about the convention is that I didn’t attend the Friday afternoon session on e-publishing, as both Mark Leslie (who works for Kobo) and Michael J. Deluca (who helps run Weightless Books) were on the panel. However, it was on at the same time as a reading by Cat Rambo, which brings me to the next part of the convention experience…
I attended half a dozen readings and they were almost uniformly excellent. It all started off on Thursday afternoon with Patrick Rothfuss reading a new (as-yet-unpublished) short story and a funny poem about Cyranos de Bergerac. Immediately after that was a reading by Aliette de Bodard.
Friday afternoon was Cat Rambo‘s reading, and when you consider that she made her audience collectively gasp at a key point in her story, you could say that she knocked it out of the park. The second one on Friday was by Gabrielle Harbowy of Dragon Moon Press – she and I had had a lovely conversation together earlier that day, so I was happy to support her as she read a story about a fortune teller, two lovers, and intricate tattoos.
Then, on Saturday afternoon there was a group reading between C.S.E. Cooney, Caitlyn Paxson, Amal El-Mohtar, and Patty Templeton that included music. Amal El-Mohtar played a miniature harp, which I watched with great interest. However, of the four authors, I think C.S.E. Cooney’s reading was the most memorable – indeed, it was the best one I saw in all 4 days. I wish I had the presence of mind to record her story; her voice flooded the room like a storm, so forceful was her reading.
The final one I attended was later on the same day, and the one that i looked forward to the most: Garth Nix. He entertained us all with a sneak peek of his upcoming book Clariel, the long-awaited prequel to the Old Kingdom trilogy. In fact, I have a funny story about that, which I’ll share in my next post.
Never mind the huge dealers’ room where publishers of all shapes and sizes set up shop. Those books you pay for, like any other. Instead, imagine a giant canvas bag nearly the size of a pillowcase stuffed to the brim with free books and other goodies.
That’s what I’m talking about. Every single person who showed up at WFC got one, and there was even a table set up where people could swap out books they got in their bag but didn’t want with books from other attendants that they actually did want. My fiance, who also attended, and I made off like bandits with a huge stash of free books.
Seriously, this is the pile of books that we managed to score from WFC. Even within that pile, I can still think of 1 or 2 books that are missing.
Of course, beyond that stash, we also bought a number of books from the dealers’ room. Never let it be said that I don’t support the publishing industry!
One of the best things about WFC is how it concentrates the fantasy publishing world into one small place. In a space of days, I got to talk to luminaries like Ellen Datlow and Paula Guran, and up-and-comers like Ian Rogers and Rio Youers.
My favourite author moment was a conversation I had on Saturday morning with author Karen Lord (the one behind my personal favourite Redemption in Indigo), famed illustrator Charles Vess, and Stonecoast MFA graduate Jennifer Brissett. We talked about the value that autographs bring to books, and how hard it is to write good characters. Not good as in successfully-drawn, but as in honest and decent. It’s hard to write someone who has integrity, but is well-rounded and not a boring cardboard cutout like Superman. That’s part of why I love Lord’s character Paama so much.
This was probably the most frustrating aspect of the convention, as the convention hotel technically wasn’t located in Toronto, but in Richmond Hill, one of its suburbs. I wanted to save money and stay at home during the convention, but this meant that I would have to commute an hour and a half each morning using public transit and rely on someone to pick me and my fiance up each evening.
It also meant that I couldn’t attend any of the cool after-hours impromptu happenings, like Charles de Lint’s jam session with other authors on the top floor. My fellow WCDR member Jenny Madore stayed at the hotel and got to see this happen, the lucky duck.
While I understand why they chose to have the convention in Richmond Hill – Toronto isn’t exactly cheap – getting there was a pain. It would have made a lot more sense, I think, to host it in downtown Toronto, especially considering the WFC website and official program pamphlet talked about all of the wonderful world-class restaurants that the downtown core had.
What I Learned
Those I spoke to at the event told me that the way the World Fantasy Convention handles things is unusual. For example, it’s a con focused on the professionals within the industry, so there was a higher proportion of editors, agents, and publishing houses than normal – this also meant that there were absolutely no people in costume. However, WFC sets itself apart from other cons in a few more ways:
Almost no other con gives out the humongous bag of free books to its attendants that WFC does.
WFC’s massive autograph session is also unusual – most other cons have authors signing at different times in different locations, instead of the single huge free-for-all in the same room that WFC does.
WFC also offers free meals to attendants, though the quantities are limited. The quality and variety of the food was quite good, though, and word of mouth spread through the hotel about it within a day.
Several people I spoke to at the convention talked about how wonderful Ad Astra (an annual fantasy convention hosted in Toronto) is. Because of this, I’m pretty sure that I’ll register for it and attend next April. The World Fantasy committee also announced which cities will be hosting the event in 2014 and 2015: 2014 will be in Washington DC and 2015 will be in Saratoga Springs, New York. I’m about 90% sure I will attend one or both of those events, though time will tell about my availability.
So, there we go! I said I wouldn’t write an exhaustive account of WFC 2012, but I did anyway!